The New York Times - On a recent Saturday morning, I arrived at the stone house in Sharon, Conn., and found Jasper Johns outside on the lawn, tending to a massive oak tree. - read more ...
"I want to be a witness of my time…”
Paul Zimmerman in conversation with Fant Wenger
Paul Zimmerman: How did you get interested in art?
Fant Wenger: The need to be creative started in my childh...
by Paul Zimmerman
It has long been observed in all painting that an elevated felling of expressive contrast in any artwork deepens the emotional spectrum of the artist's efforts. This is certainly apt as the v...
“Shaping feelings…”
Paul Zimmerman in conversation with Marija Orlovic
Paul Zimmerman: How did you get interested in art?
Marija Orlovic: In my childhood it was the feeling of freedom and beauty t...
Design Boom - Light becomes a sculptural material throughout the diverse portfolio of artist Soo Sunny Park, whose projects challenge the boundaries between sculpture, installation, and drawing. after moving to...
“A representation of our creative power beyond one's own mortality…”
Paul Zimmerman in conversation with Fiona Watson
Paul Zimmerman: You are a multimedia artist with a strong interest in spatial play...
By John Austin
What is most evident in the vibrant paintings by Hye Ja Moon exhibited recently at Artifact is a transcendent reality removed from the everyday, away from the prosaic. The ‘here’ and ‘now’ is ma...
“My style is constantly evolving…”
Paul Zimmerman in conversation with Sam Dobrow
Paul Zimmerman: How did you develop interest in photography?
Sam Dobrow: When I was in elementary school my fa...
NY Times - Writings by the artist, exhibited for the first time in the United States, reveal the psychological trauma that fueled her creativity. - read more ...
“Drawings fly, paintings smile…”
Paul Zimmerman in conversation with Pirjo Hassinen
Paul Zimmerman: How did you develop interest in art?
Pirjo Hassinen: My family on my mothers...