Spotlight

Hyperallergic - I am simultaneously grateful for the existence of Documentary Now! and baffled that it continues to exist. A TV show dedicated to parodying a different documentary with each episode seems too ni...

By Dan Aldo The most compelling aspect and the main attribute in the plexiglass sculptures by Franco Paletta is his drive to articulate a dynamic equilibrium by bringing into play a perpetual and dynamic confl...

by Nick Berkow The painterly activity of Neil Kerman, while appearing at first to be essentially abstract in character, is not so much actualized within the spontaneous moment as much as it is allowed to evolv...

Art in America - The collapse of a culture is felt before it is formalized. The earliest traces of fragmentation appear as fault lines, shifts in facades and fashions, cracks in the smooth surface of an establi...

The New York Times - Since Warhol’s death in 1987, the tiny village in Slovakia has — more or less — embraced its role as a place of pilgrimage for his fans. They come seeking to understand how Warhol’s family ...

The New York Times - Surprises abound in “Odyssey: Jack Whitten Sculpture, 1963-2017,” a gorgeous, loquacious exhibition at the Met Breuer. The show’s title contains the first hint of the unexpected: the word “...

Hyperallergic - Artist Aaron Fowler manages to invoke a tricky tension in his interdisciplinary and immersive works. Fowler balances the oversize nature of emotion and human-scale drama with the intimacy of per...