Experiencing Museums as They Should Be: Gloriously Empty
NY Times- The other morning, at the Metropolitan Museum of Art, Vincent van Gogh and I had a chat. - read more ...
Warhol a Lame Copier? The Judges Who Said So Are Sadly Mistaken.
NY Times - A few years back, a bevy of art critics declared that Marcel Duchamp’s 1917 sculpture called “Fountain” — a store-bought urinal he had presented, unchanged, as art — was the most influential work of...
Smithsonian American Art Museum and the Renwick Gallery
Smithsonian - Over the past six months as an Advanced Level Intern at SAAM, I have been engaged in a deep dive into the women artists represented in the museum’s collection. - read more ...
wrapped in calligraphy, the innovative museum of the future nears completion in dubai
designboom - defined by its soft, calligraphy-covered geometry, killa design’s museum of the future nears completion in dubai.the monumental new icon hosts an exhibition space for forward-thinking innovations....
It’s Time to Put Alice Neel in Her Rightful Place in the Pantheon
NY Times - A large retrospective feels at home in the Metropolitan Museum of Art’s grandest galleries and should silence any doubt about the artist’s originality or her importance. - read more ...
Spotlight: Nancy Anne Woolf-Pettyjohn
“Lace has always been a love of mine …”
Paul Zimmerman in conversation with Nancy Anne Woolf-Pettyjohn
Paul Zimmerman: Your medium is as unique as your work. How did you get interested in lace?
Nanc...
Form and Color in the Paintings of Tine Weppler
by Christopher Bruni
Tine Weppler’s investigations in form and color at her recent Artifact exhibition address various issues of cultural engagement. The play quality pervades these efforts in which one can di...
Spotlight: Papuna Dabrundashvili
“I consider Nature to be my most important teacher…”
Paul Zimmerman in conversation with Papuna Dabrundashvili
Paul Zimmerman: Congratulations on your upcoming exhibition in New York. Tell us about selection...
Spotlight: Daniel René
“Art is made to distract but also to enrich us…”
Paul Zimmerman in conversation with Daniel René
Paul Zimmerman: Wood is your preferred material. Why is it important?
Daniel René: The philosophy of my tech...
Spotlight: Joseph Balletta
“I am trying to bring some magic into a very static world…”
Paul Zimmerman in conversation with Joseph Balletta
Paul Zimmernan: How did you get interested in art?
Joseph Balletta: I believe I h...