Artsy – Damien Hirst launched his first major show of new works in 10 years earlier this month in Venice, shortly ahead of the opening of the 57th Venice Biennale. But along with massive crowds, “Treasures from the Wreck of the Unbelievable” is attracting charges of cultural appropriation, with one of Hirst’s sculptures replicating a Nigerian work from the 14th century without proper historical context – read more
