Hyperallergic – All art is political, so I don’t see this year’s Whitney Biennial as any more or less engaged with the terrain of politics than the institution’s previous biennials. What it’s more focused on is hybrid identities, particularly those not represented by the Trump administration or a political party that has gerrymandered its way to minority rule. Curators Christopher Lew and Mia Locks have given us an engaging, if uneven, Whitney Biennial. While this event may no longer offer an accurate barometer of that nebulous thing called American art, it does offer an artistic essay about the times. – read more
